
Click the link, and get to know the site. One of my good friends Alec Siegel is one of the writers and producers.
Very exciting stuff, and quite a stellar website.
DM
THE MIND & LIFE OF A YOUNG PRODUCER

Amidst all the chaos these last few weeks, I had a chance to see R. Carlos Nakai and Will Eaton in concert this afternoon.

With the second film project underway for Flashpoint, students have been bustling about trying to fill their various roles to make each film a success. I have been selected as a Producer, which perhaps you can gather is why I haven't posted here in several days.
On Wednesday, Flashpoint Academy & Flashpoint Film Society hosted the 1st Official Student Film Screening. We organized the event over the last few weeks, in hopes of getting a pretty big crowd.


A great success, indeed.
DM
The top dog, the head hancho, the Camera of Cameras. The Red.
All four of these jobs require great discipline and an extraordinary knowledge of the subject matter, but none of these people could do their jobs effectively without someone to help them along.
Many say the western is dead. They do have a point, since good western films these days are few and far between. But "3:10 to Yuma" helps me remember how much I love a good western movie experience. It has always been a genre where I can sit down and genuinely feel that every character is in danger. Western films are not afraid to put all the characters in peril, and yes, sometimes the bad guys win.

I was lucky enough to attend an early screening of "Cloverfield" yesterday afternoon, and after stewing for a day, I feel it's time for a review.


Enjoy,
DM
When I started filmmaking, I knew that at least one department would be a challenge beyond any other. Sound is that department, and I recently had a chance to work on the sound design of "Lost Wallet" with the film's talented sound designer, Kevin Weber.
through the film a couple of times and gathered notes on what sounds he needed, and then went to work. The level of care and detail that goes into sound design is unparalleled. Each frame is important, and although most movie goers may not notice great sound, they can certainly notice bad sound.
That is why Kevin, along with other Flashpoint recording arts students, are working hard to make these films work. "Lost Wallet" is very sound dependant, and with its complicated story already, it is quite a challenge to overcome.
Today, Chevy Chase made a visit to Flashpoint to talk to students about his experiences in film and television. Apart from obviously being extremely funny, he gave us some lessons that I, personally, did not expect.








This picture is Daley Plaza on a cold sunday morning. I find it amazing that a city so busy with life on a weekday can look like this on a Sunday. Granted, it was rather early in the morning but nonetheless, downtown was empty and cold for much of the morning.